2026 Winter/Spring Island Teacher List

Vancouver Island Dance Teachers 

Nanaimo

Lynette

www.lynetteharper.ca      dancetarab@gmail.com   250-797-7953   

LET’S DANCE    With apologies – My weekly multilevel classes are postponed until later in the year. All classes at VIBE Studios, Nanaimo 

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Pynksy Shell aka Tania Amaral

https://www.facebook.com/tania.amaral.1253/  pynksyshell@gmail.com 

Afro Fusion Sharqi Danceᵀᴹ

Fridays 6:30 Level 1, VIBE dance studio 

www.afro-fusionsharqidance.ca 

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Ramona 

ramona.passarello@gmail.com  250-616-3824  

Available for private individual and private group lessons.

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Taissia 

778-269-0922  Dance and Wellness classes   Available for privates and workshops.

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Other Island communities, listed alphabetically:

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Cortes Island

Meinsje      250-895-1052  

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Courtenay/Comox/Cumberland/Denman Island/Union Bay

Bridget Salas  bridgetsalasdance.com 

Beginner Indian fusion Tuesdays 5:45-7:00

Datura-style bellydance Tuesdays 7:15-8:30

Datura-style Zills Tuesdays 7:15-8:30

Magnoliamovementarts.com

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Cathy Stoyko   Call or message (250)218-0704

Available for private classes on Denman Island or in Cumberland 

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Emily Johnston – Forbidden Dance Company  

https://forbiddendancecompany.com  778-246-3639 

Belly dance levels 1-4 Thursdays 6:30-7:30pm Cloud 9 studio, Courtenay

“So you think you can belly dance?” Levels 5+  7:30-8:30pm

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Heather Hilberry 250-898-3123 (call or text) 

Teaching on Hornby,  Denman and in Union Bay  

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Linda Doerksen  halima.dancer@gmail.com    250-703-0494   

Contact regarding future classes in Courtenay. 

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Duncan/Cowichan Area

Darlene Gunkelmann gunkelmanndarlene@gmail.com

12 week Duncan series starting Feb.16

Beginners Foundations 5 -6:15 pm, Multi-Level 6:15-7:15 pm

Studio B (behind Spinning Ninny). 

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Karensa Camplair   saidisistersstudio.godaddysites.com  karensabellydance@gmail.com      250.715.7541   

Facebook.com/SaidiSisters      

FCBDStyle® (Improvised Style), Sword, Fusion, F.U.N. Belly Dance, and Musicality & Choreography

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Lara   https://www.facebook.com/lara.brunschot, or drop by her store Spinning Ninny at 310 Duncan St, Duncan

Classes for adults and children. 

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Parksville

Kim Hammett  raven_55@icloud.com   778-679-3082

Mix of Americanized and Fusion style bellydance at Bradley Community Centre.

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Qualicum Beach

Belly Laughs Navel Academy/Elaine De Rooy 

https://www.facebook.com/BellyLaughsNavelAcademy   bellylaughsnavelacademy@shaw.ca  250-752-3750 

Contemporary fusion in-studio classes Wednesdays, Thursdays, Sundays for Beginners, Intermediate and Advanced students.

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Saltspring Island

Sarah Allen  ssisarahlouise@gmail.com 

Alternating a 4 week series with Rasha Gad, Tuesdays 7 to 8:15pm Feb to Jun 2026 and Sept to Nov 2026 at the Ganges Yoga Studio  https://gangesyogastudio.com/

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Rasha Gad  rashargad@gmail.com

778 993 3406 https://www.artspired.ca/unveil-the-movement

Middle Eastern (belly) dance weekly classes. Egyptian style with cultural context, focus on the connection to the feminine and unique expression. Alternating a 4 week series with Sarah Allen, Tuesdays 7 to 8:15pm Feb to Jun 2026 and Sept to Nov 2026  at the Ganges Yoga Studio  https://gangesyogastudio.com/

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Victoria 

Bashirah Middle Eastern Dance Studio, Victoria    

https://raksbobbie.ca/classes/winter-2026-class-list.html raksbobbie@shaw.ca   

Extensive range of online and studio belly dance classes at Bashirah Middle Eastern Dance Studio, 137 Skinner St.Victoria

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Candace Aldridge   https://candacealdridge.com/dance-classes/

A fall schedule of live and online classes, featuring Belly dance for multiple levels, Yoga, and more. 

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Caro Aisha Carof   carisfranco@hotmail.com  250 884 0653

Private classes and group classes from beginners to advanced levels.

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Darlene Gunkelmann  gunkelmanndarlene@gmail.com

Victoria Classes: 12 Week Series  starting Feb.17

Beginners 5-6:15 pm, Intermediates Choreography 6:15-7:30 pm

Wild Roots Studio. 

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Mira –  Asmira Dance  

mirabellydancer@gmail.com

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Negma  

negmadance@gmail.com   https://www.negmadance.com 

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Taiya Curle 

Fusion Bellydance classes Monday evenings 6:00pm-7:45pm

At the Victoria Truth Centre

For details taiyacurle@gmail.com   250-361-5122 

Workshop Resources: Ghawazee & Turkish Oryantal Dance

Leah and Lynette perform at the International Belly Dance Conference of Canada, Toronto

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GHAWAZEE  RESOURCES

Terrific dance scenes and interviews can be viewed in this 1981 video “The Romany Trail: Gypsies of Africa” – Please note, the narration is dated and sometimes simply wrong (particularly about the Zar). The Banat Maazin dance at 11.52, and another Ghawazee troupe at 21.40.

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Glimpses of “Ghawazee” costume history

Mid 1800s:

1890s:

1920s:

1960s Banat Maazin:

1960s Khairiya of the Banat Maazin

Recent image of Khairiya of the Banat Maazin 

This excerpt is from a 2017 wedding party featuring Khairiya, of the Banat Maazin family. She is the last one of their famous dance troupe who continues to perform. https://www.youtube.com/watch?v=_RsNjyOYVXA

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You can find lot of information about the Banat Maazin and Ghawazee online eg. This wonderful first-person account of meeting Ghawazi in Egypt, with historical photographs and references. The six part article was written over several decades 1970s to 1990s by Edwina Nearing. The link below takes you to Part 1, with links to the other sections at the end, thanks to the dance magazine “Gilded Serpent”.http://www.gildedserpent.com/articles25/edwinaghawazich1.htm

Another inspiring article reviews 19th century historical travel writing: https://www.gildedserpent.com/cms/2012/04/16/when-victoria-was-queen-and-the-ghawazi-ruled/

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If you’d like to see more video, costuming, etc. about Ghawazi, check out this (and other) Youtube playlists:

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TURKISH ORYANTAL RESOURCES

Here are some video examples of Turkish Oryantal.  You can find many more by searching Youtube on an artist’s name or the dance form. (I particularly recommend everything featuring dancers Tulay Karaca or Nesrin Topkapi, even though the video quality is variable.)

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Vivacious Gigi Dilsah dances Turkish Oryantal in this video with lots of sparkle, drama, surprise, floorwork, and hair tosses! https://youtu.be/_QOgaJ1tQVc?si=dVOUNZUNVLEupMf0

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Here’s an Oryantal piece by Artemis Mourat, she starts with Turkish Roman and flows into an Oryantal performance. https://youtube.com/watch?v=1Lzf38FlQrU%3Fsi%3DW9FkgqIqYwfQiCZa

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Elegant, exquisite Tanyeli! https://www.youtube.com/watch?v=PLjQe3IwXkY

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MUSIC SUGGESTIONS

For the Turkish Oryantal choreography, we danced with “Söylim Mi” (Shall we tell?) by Asena.

There are a great many inspiring Turkish musicians and ensembles. Here are some that I used for warm-ups, stretching exercises, learning Oryantal vocabulary, and improvisation activities during my workshops: Burhan Ocal and the Istanbul Oriental Ensemble, John Bilezikjian, Ney Defteri, and the albums Second Nature by Minor Empire, and Gypsy Fire by Omar Faruk Tekbilek & Richard Hagopian.

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Spring Workshop in Kelowna 2025


Notes on Lynette’s dance interests:

Lynette has studied Ghawazee dance since the 1980s with luminaries Aisha Ali, Jalilah, Khyriyya, and others, and through archival research. Her troupe Ghawazee choreographies have been staged in Vancouver theatres, Toronto (International Belly Dance Conference of Canada), Seattle (Mediterranean Fantasy Festival), Courtenay, Nanaimo, and many other BC venues. 
Lynette became entranced by Turkish Roman dance in the 1990s, and has developed a distinctive personal style for teaching and performing both Turkish Oryantal and Roman dance based on studies with Reyhan Tuzsuz, Gigi Dilsah, Artemis Mourat, Ferda Bayazit, Sema Yildiz, Ozgen, and others. 
In recent decades Lynette has led weekend dance intensives and 5 day retreats in spectacular locations eg. Dance Vallarta (Puerto Vallarta), DanceAway Mexico (La Manzanilla), Hollyhock Retreat Centre (Cortes Island), Oasis de la Dance – Studio Denise Enan (Quebec), Denman Island Dance Retreats, Smithers Dance Camp, and other BC locations (eg.Victoria, Tofino, Thetis Island, Quadra Island, Gabriola Island, Cumberland). She regularly presents classes and workshops on and around Vancouver Island.

ReOrient present Ghawazee dance at the Duncan Showroom, 2019

The dance in these videos is an interpretation of an historical style of dance and costume common in Egypt in the late 1800’s and into the 20th Century. Our choreography is based on historic photos and travellers’ writings about the Ghawazee, and our studies with Aisha Ali, Banat Mazin troupe members, and others.  The Ghawazee continue to perform today, though with different costumes! Many Ghawazee, and in particular those we studied for this piece, are members of Domari and Nawar tribes – that is, Middle Eastern branches related to the “Romani” (peoples who have asked to no longer be called “Gypsies”).  Ghawazee has been translated as “Invaders of the Heart” – but the word has some negative connotations, as it represents Egyptian women who dance to entertain. 

We are members of the B.C. dance collective “Re-Orient”, and we hope our performance, and these videos, will broaden your perspectives on Arab and Turkish arts and societies.  Videos are by Eric Boucher. 

1001 Likes – December 2015

Lynette Harper updates her list of Christmas gifts available online. Reprinted with permission from the Middle Eastern Dance Association newsletter, Sahda, December 2015.

Gift-giving season again, and I’ve been reviewing my annual column of online gift ideas. My absolute favourite is still Shira’s Gifts for the Belly Dancer in Your Life

http://shira.net/advice/lifestyle/gift-ideas.htm   This is a brilliant list, practical and creative and extensive – like the rest of the shira.net website. Shira offers ideas in a range of categories to suit different interests and price levels:

  • Make-it-yourself items, from costume accessories to cookies & pet headdresses (!!!)
  • Gifts of time or expertise, with advice about boundaries as well as ideas
  • Low-cost items, papyrus bookmarks to bumper stickers to purse mirrors
  • Medium price range ($10 to 25) including magazine subscriptions & trinkets
  • If you want to spend more, great ideas for special gifts up to $200 (Who would have thought of a Rifle Case as a clever way to transport a sword in checked luggage!)
  • Thrilling but extravagant !!!

And of course, it’s worth browsing shira.net to see what Shira’s added to the award-winning site already bursting with useful information, thoughtful insights, and reviews and research.

 

20 Holiday gift ideas for belly dancers

More good ideas can be found in this article from Majnuun Music and Dance. Though it was published a while ago the links are still live.   http://www.majnuunmusicanddance.com/20-holiday-gift-ideas-belly-dancers/

 

There are more sites to be found, of course! Pinterest has its “Great Gifts for Bellydancers!” page;

purchasing sites abound (cafepress.ca alone has thousands of belly dance merchandise results: t-shirts, mugs, & more); dance teachers & troupes market their own products; and many of us have our own favourite sources.

 

Books make a great present, and searching online bookstores yields a considerable array of gift ideas. Right now I’m reading an award-winning book by Amira Jarmakani, “Imagining Arab Womanhood: The cultural mythology of veils, harems and belly dancers in the U.S.” My continuing faves are still “Belly dance: Orientalism, Transnationalism, and Harem Fantasy” (available through Amazon.ca), Belly Dance Around the World (Amazon & Chapters.Indigo carry it), and The Belly Dance Reader 2 (Amazon.ca).

 

‘Tis the season for giving, and there are a great many local organizations to support. Many international organizations are fundraising to support Syrian refugees, a very worthy cause. So here’s another idea: Dedicate a donation to a fellow dancer, and let them know with a gift card!

 

Wishing you peace, joy, and lots of dance in the New Year.

1001 Likes – November 2015

Lynette Harper admires the good hearts of BC belly dancers. Reprinted with permission from the Middle Eastern Dance Association newsletter, Sahda, November 2015.

The generosity of our dance community is remarkable. Throughout the year, individual dancers and troupes donate their time and performance skills for a wide range of worthy causes. Others have initiated and organized events to raise funds addressing issues related to our community and our dance form. Local events, like Nanaimo’s annual Belly Dance Bazaar, support women’s counseling and advocacy organizations. The outstanding international Shimmy Mob fundraiser, produced and directed by Sabeya/Francesca Anastasi, generates funds for abused women and children’s shelters around the world http://www.shimmymob.com/about/ .

A growing number of B.C. dancers, acknowledging the close relationship of our art form with the Middle East, have raised funds for women’s and peace initiatives in that region. This October, dancers organized events in Vancouver, Comox (“Sanctuary”), and Campbell River (“Dinner with a twist”), in response to the appalling situation of Syrian refugees.

I’m proud to be part of such a caring community.

Fundraising 1

*If you missed these events but would like to contribute, consider contacting Canadian charities such as Oxfam (http://www.oxfam.ca/syriacrisis) or the Red Cross (https://donate.redcross.ca/ea-action/action?ea.client.id=1951&ea.campaign.id=42451). The Canadian government is matching every dollar we donate “to registered Canadian charities in response to the impact of the conflict in Syria” until December 31, 2015.

*For a glimpse of the complexity of a civil war that has escalated with foreign intervention (some call it a “proxy war”) and a humanitarian disaster, see “Syrian civil war” in Wikipedia https://en.wikipedia.org/wiki/Syrian_Civil_War

Fundraising 2

In Performance

Earthfire dance company

Funkadelic Turkish Lounge 2014

Another amazing Turkish Lounge at The Abbey in  Cumberland!  Saturday Oct. 25, 7:30 pm  This time there will be just a few performances (including me, Edith Jacob and our host Cathy Stoyko), plus lots of music and dancing for everyone, with a funkadelic dance set by DJ StIzmir Smyrna and live music jamming to wrap up the night. Bring an instrument, and note that colourful lounge wear is encouraged!

Turkish Lounge

Belly Dance Fact & Fiction: References

OPA Showcase Lecture/seminar, Victoria BC – presented by Lynette Harper Ph.D. November 2013

References – Books (*specific articles cited)

Belly dance around the world: New communities, performance and identity. 2013. Caitlin E. McDonald & Barbara Sellers-Young, editors. Jefferson NC: McFarland & Company.

* What is Baladi about al-Raqs al-Baladi? On the survival of belly dance in Egypt, Noha Roushdy.

* Performing identity/diasporic encounters, Lynette Harper

* 1970s Belly dance and the “How-To” phenomenon: Feminism, fitness and Orientalism, Virginia Keft-Kennedy

* Local performance/global connection: American Tribal Style and its imagined community, Teresa Cutler-Broyles

* Quintessentially English belly dance: In search of an English tradition, Siouxsie Cooper

Belly dance: Orientalism, transnationalism & harem fantasy. 2005. Anthony Shay & Barbara Sellers-Young, editors. Costa Mesa CA: Mazda Publishers.

* Introduction, Anthony Shay & Barbara Sellers-Young

* Belly dance: An urban folk genre, Najwa Adra

* Body, image, identity: American Tribal Belly dance, Barbara Sellers-Young

* Spirit from the body: Belly dance as a spiritual practice, Donnalee Dox

Belly Dance Reader. 2012. Editors of the Gilded Serpent. Fairfax CA: Gilded Serpent.

* Belly dance & contemporary dance studies, Barbara Sellers-Young

* Orientalism: Zumarrad’s completely non-scholarly quick and dirty guide, Brigid Kelly

* “Harem Girls,” dance in historical harems, early 1700’s – early 1900’s, the perpetual masquerade, Andrea Deagon

Dancing fear & desire: Race, sexuality, & imperial politics in Middle Eastern Dance. 2004. Stavros Stavrou Karayanni. Waterloo ON: Wilfred Laurier University Press.

Gypsies and the problem of identities. 2002. Adrian Marsh & Elin Strand, editors. Istanbul: Swedish Research Institute in Istanbul, Transactions vol.17.

* Introduction,  Elin Strand & Adrian Marsh

* On Romany origins and identity – questions for discussion, Ian Hancock

* The current situation of the Dom in Jordan, Allen Williams

Looking for Little Egypt. 1994. Donna Carlton. Bloomington IN: IDD Books

Orientalism (25th Anniversary Edition). 1994. Edward Said. New York: Vintage Books.

Scheherezade goes West: Different cultures, different harems. 2001. Fatema Mernissi. New York: Washington Square Press.

Serpent of the Nile: Women and dance in the Arab world.  1989. New York: Interlink books.

Visibly Muslim: Fashion, politics, faith. 2010. Emma Tarlo. Oxford: Berg.

We are the Romani people. 2002. Ian Hancock. Hatfield: University of Hertfordshire Press.

You asked Aunt Rocky: Answers & advice about Raqs Sharqi & Raqs Shaabi. 2011. Morocco (C.Varga Dinicu). Virginia Beach VA: RDI Publications.

References cited – journal & internet articles

Dancing around Orientalism. 2006. Donnalee Dox. TDR/The Drama Review, Vol.50 no.4 (Winter 2006), pp.52-71.

Feminism and belly dance. Andrea Deagon. http://people.uncw.edu/deagona/raqs/feminism.htm (downloaded 18 Nov.2013)

In search of the origins of the dance. Andrea Deagon. http://people.uncw.edu/deagona/raqs/origins.htm (downloaded 18 Nov.2013)

Naked belly dance in Egypt? Part 1: Are they really belly dancing? 2009. Andrea Deagon. The Gilded Serpent, http://www.gildedserpent.com/cms/2009/10/19/deagonnakedbdpart1/ (downloaded 18 Nov.2013)

Oriental dance: Myth and reality, the harem slaves. 2002.  Jalilah Lorraine Chamas. The Gilded Serpent, http://www.gildedserpent.com/articles20/jalilahharamslaves.htm (downloaded 18 Nov.2013)

 

More books for dancers

Four essentials for a dancer’s bookshelf, published in the last two years:  Belly dance around the world: New communities, performance and identityThe belly dance readerGlobal moves – and You asked Aunt Rocky: Answers & advice about Raqs Sharqi & Raqs Shaabi.  Each book offers powerful ideas, analysis, and inspirations – and they’re available through Amazon!  I plan to update this post with a review of each book in the next few months!   Lynette, October 2013

Belly dance around the worldBelly dance around the world: New communities, performance and identity

Edited by Caitlin E. McDonald & Barbara Sellers-Young. Here’s the blurb from the back cover:

Dancer/scholars from around the world have contributed essays on belly dance to this book. They all carefully consider the transformation of an improvised folk form from North Africa and the Middle East into a popular global dance practice. The essays explore the differences between the solo improvisational forms of North Africa and the Middle East, often referred to as raqs sharki, which are part of family celebrations, and the numerous globalized versions of this dance form, belly dance, derived from the movement vocabulary of North Africa and the Middle East but with a variety of performance styles distinct from its site of origin. Local versions of belly dance have grown and changed along with the role that dance plays in the community. The global evolution of belly dance is an inspiring example of the interplay of imagination, the internet and the social forces of local communities.

Yes, that’s me and Rahma on the cover!  I have contributed a chapter  “Performing identity/Diasporic encounters”, based on interviews with Arab women dancers.

Belly dance reader

 

 

An outstanding anthology of articles put together by Gilded Serpent, under the leadership of editor Lynette Harris.

 

 

Aunt Rocky

 

Astonishing – Morocco has assembled a lifetime of philosophy, research, ideas, and advice about dance inside the covers of this book!

 

 

 

global moves

 

I’m looking forward to reading this book by Caitlin McDonald, ” a study of how dancers throughout the world use Egypt as a reference point for situating themselves within the global belly dance community and how Egypt gets romanticized and fantasized in global narratives about belly dance.”

Exploring Tarab with Lynette

 

Spring 2007  OPA! News, Victoria      by Sidona

On February 18th members of Women of Widad piled into a van to take the trip up to Nanaimo to attend a workshop with Lynette Harper. 

 We were excited and all felt that we needed a burst of dance energy after the long winter and also to beat the February blues. When we arrived at the Harbour Dance Centre in Nanaimo we were pleasantly surprised by the sunshine streaming through the windows and bouncing playfully off the hardwood floors. One of the topics discussed was “Tarab” and none of us really knew what that meant.

Lynette started with a warm-up with all of us in a circle facing each other. We moved on to “Turkish Curves” using a smoky Turkish song that really got us into that slow syrupy movement. She started with some examples and then had each of us pick a part of our body to focus on for several minutes. IT was a real joy to explore our inner emotions and combine it with a dance. Lynette promotes dance as a whole woman experience. In her workshops you are pushed out of your comfort zone in a comfortable way. She then did a mini-Ghawazee workshop called “Ghawazee Sparkle”.

The rest of the afternoon was spent on “Tarab” which when translated means “Art is Feeling” or is also described as a “musically induced state of ecstasy”. The dancers were asked to describe what they felt when dancing and words were tossed back and forth like, Freedom, Revitalized, Divine Feminine, Health, In my Veins. We moved energy to different parts of our bodies and explored alone and with other dancers using “light” and “heavy” movements, infectious music and complementary movements. It was a delight and as a group we all felt richer as dancers and as women.

It is vital to express our full selves as we dance and Lynette facilitated in her warm and welcoming way an excellent day of playing in the sun. As we drove home we felt fuller and more complete as dancers. Thank-you Lynette!

Miraj was a sensory treat

 

16 April 2003  Daily News, Nanaimo  –  Review by Lynn Welburn 

Miraj (an Arabic word meaning ascent, the journey upwards) was the perfect title for the April 11 performance by Earthfire dance at the Malaspina University College theatre. 

But mirage, commonly used to describe something you think is real and which then vanishes, leaving you doubting your senses, would also have been appropriate because this performance was magical, mystical and, as each piece, ended, you were left wondering whether you had really seen it at all. Earthfire is one of the province’s top dance troupes, and are almost unique in the way they blend various forms of Middle Eastern, Gypsy, North African and other folk styles of dance. And their show, Miraj: Beyond Belly Dance, was an amazing showcase of not only their considerable dance talents, but also of their ability to put together a visual and auditory treat with costumes and settings that added to the sense of magic. With fabulous creatures of myth, whirling swords and costumes that shimmered like liquid jewels, Miraj was a sensory treat. Earthfire (Ferda Bayazit, Lynette Harper, Faith Lafave, Leah, Yvonne Olson and Taissia Sinclair) along with actor Pat Donaldson as the crone/fortune teller, guest dancers (Kelly Rollick, Sheila Bowman, Taiya Curie, Reziah, Shamani and Kirsten Stallman) and guest drummers (Goldean Abbadon-Lowe and Fiona Stuart) took their audience on an amazing journey to a Middle East much different from what we see on television each day, to a place where travelers from various places meet and mingle and dance, moving them and the watchers to a higher place, a place where we could all converge in a blend of lithe and sinuous dance, sensual music and lively humour.

(See excerpt “Queen of Wands” on Video page)

Bellydancing makes another comeback

 

April 9  2003 The Harbour City Star, Nanaimo      By Sandra Steilo 

This week I joined in on a trend that has been around for hundreds of years but now is suddenly new and hot again. I took a beginner belly dancing class with Lynette Harper at the Community Service Building. 

She got involved with belly dancing the first time it became trendy about 25 years ago and said she’s seen many ebbs and flows in its popularity since then. It’s on ah upswing now again. “It’s major right now,” Harper said. “I think people are looking for a fun work out without having to go to the gym – There’s also an interest in world music and cultures.” Harper’s mother is Lebanese and while she’s done many other kinds of dancing, belly dancing just makes sense for her. “It’s a great way to let people know about the Middle East besides what they see on the news,” she said. “It shows people the culture behind that part of the world. “And, it’s a wonderful thing, with belly dancing you can keep performing as you age.” Before the class Harper told me that belly dancing, unlike other forms of dance, is very improvised. This was a relief. I was joining in for the last class of the series and most of her students enjoyed the class so much they’d been coming regularly. I had taken belly dancing about three years ago and I was more than a little rusty. You need to have technique, Harper explained, (damn) but belly dancing has everything to do with expression and showing your own personality and people at all skill levels can do it. Yah! “It’s a wonderful way to come together with a group of people and have fun,” Harper said. “It’s very good for you to. It can be a great aerobic workout.”
She was right about that. The next day my sides hurt from all the movement in the hips. Those are muscles that don’t get worked a lot and isolating just your hips for a movement is tough. The drop-in class featured about 10 women of all ages and sizes and although I had never been to her class before I quickly felt like part of the group. I just kind of tried to fit in and shook my hips when it seemed appropriate, which was quite a lot.
We did part of a dance the class had been working on and while I improvised for about 90 per cent of it, I felt like by the end I was catching on. With the lively music and the fun, flirty movements it hardly seemed like a work out and the time flew by. “It’s addictive,” Harper said.
I can see how that would be and now with classes put on hold until Harper’s show Miraj, with her troupe Earthfire which is playing at Malaspina, April 11, is over with, I feel like I’m going through withdrawal.

Shaking things up

 

14 November 1998  Harbour City Star, Nanaimo   By Goody Niosi

The Spice Girls may have Girl Power, but Nanaimo’s own Earthfire has Woman Power; a force that’s gathering enthusiastic fans wherever they perform.
Earthfire is a troupe of women who dance together with joy, energy and exuberance. And although they perform folk dances from all parts of Europe, they’re probably best known for their Turkish gypsy dances, popularly called belly dancing.
The dancers are Lynette Harper, Faith LaFave, Serap, Sahira and Taissia Sinclair. When they aren’t dancing they are students, a researcher, a computer nerd, a counselor and a teacher. Their backgrounds are Russian, Turkish, European and Middle Eastern. They share a passion for the dance.
Lynette Harper describes gypsy dancing as a wonderful, exuberant, free, dynamic dance style.
Harper has been teaching this energetic dance form for 20 years when the troupe came together.
“These people all either came to my class or were performing themselves. Every one of them has a dance background and most of them have already been professional dancers. So we’re just putting our energies together.”
Earthfire’s first performance as a troupe took place Nov.6 at the Wild Roots Café to a sold out house. To say they were greeted with enthusiasm would be an understatement. In the words of one spectator, “the audience whooped and hollered and stomped and whistled their approval.”
“We generate the energy among ourselves,” Harper says. “And then it comes back from the audience. So people come and say, ‘I’ve never got so much entertainment for $5 in my life.’ And women will say, ‘You know, we’re so serious about our bodies in North America, whereas you’re just celebrating and having fun.”
Woman Power – Earthfire revels in it. Their bodies would never make it to the cover of Vogue magazine – and they wouldn’t want them to. These are women’s bodies with delicious curves, rounded softness and grace.
Faith LaFave calls it being comfortable and grounded in their bodies. “Women in our society today are taught to feel either guilty about their bodies or to beat themselves into the media’s image of what a woman should be to be beautiful. I think what this troupe has given us is an ability to accept and love our bodies as they are.” 

The Earthfire women use their bodies in their art. Women’s bodies shake – it’s how they’re made, LaFave says. “And more than anything else the comments we get when we’re performing are, “Wow – you have so much feminine power’.”
The message behind Woman Power is that it’s OK to be a woman and to be sensuous. You don’t have to be thin to be beautiful. You can be rounded and womanly.
For Serap, dancing with Earthfire is a chance to celebrate, to play and to be creative with other women.
The Earthfire women range in age from 21 to 44. Dance is ageless, Lynette Harper says. A troupe of woman dancers from Denman Island range in age from eight to 78 years.
A woman recently approached Harper and asked her to teach her four-year-old daughter. No one is too young or too old to dance and play, Harper says.
The popularity of gypsy dancing is catching on like wildfire and Earthfire stands out among the troupes on the West Coast. The women have performed in Seattle, Vancouver, Courtenay, Tofino, Victoria and Quadra Island. And although all of them have different life goals, they all want to tour and perform in Europe and the Middle East.
“We’re constantly creating new dances and challenging ourselves,” Harper says. “There are people in Vancouver who are urging us to tour. Other professional dancers who have been to the Middle East all have very, very positive things to say about our troupe. I think it’s because we are bringing a lot of different dance experience to this.”
What makes Earthfire unique is that they are exploring this as an art, not just as a dance, Harper says.
For Earthfire the dance is World Music – and a joyful, abandoned expression of Woman Power.

Northern Spirit: Lynette Harper Curator (and Belly Dancer)

 

May/June 1988  Up Here Magazine    by Juliet Pin

Imagine the combo of belly dancing and museum work! Lynette Harper has found the link.
Born in Vancouver of Lebanese parents, belly dancing just seemed to come naturally. Her list of dance performances is impressive. From the Vancouver Sea Festival and Robson Square 

Plaza to many theatre performances, Lynette has twisted and swayed her way into the Middle Eastern Dance group of Vancouver.
When she moved north three years ago she continued performing, and has awed many a crowd at the Charity Ball, the Northern Arts and Cultural Centre and special performances in Yellowknife, Northwest Territories, ‘I’m a performer at heart, and dancing is a way of expressing my joy,” she says. “It runs in the family.”
Now curator of education and professional programs at the Prince of Wales Northern Heritage Centre in Yellowknife, she explains that the same creativity is useful in her work. As teacher and museum curator she believes she can help people find their own inner spark. Within the museum environment, Lynette says, people are inspired by seeing the results of other people’s creativity. She describes a museum as a “special place where people can develop understanding and respect for one another, through displays which show the different ways in which we see the world.”
Her vivaciousness, enthusiasm and zaniness is contagious, spreading joy and humor among her co-workers. “People sometimes don’t take me seriously,” admits Lynette, “but that’s changing, and I’m even called upon to head up international conferences and chair meetings.”
Her zaniness is a tool to help keep a perspective on what she is doing. “We take ourselves too seriously”, she says. Her humor has been known to ease tension at many a meeting.
Lynette has gained great respect in her field through her strong professional commitment. After just a short time in Yellowknife, she was thrown into the role of acting director of the Prince of Wales Northern Heritage Centre. Recalling the challenging seven month experience she praises the full support of her staff.
When a new director was named, she turned her energies to the Discovery Gallery which opened in June last year. A family area (where the signs read “please touch”) offers a wardrobe of costumes, rocks and bones to identify, a fur closet, and much more. Though she says she can be frustrated by the time it takes to develop exhibitions, she can see a slow and steady progress in the gallery. Lynette hopes to extend the opportunities for similar museum programs across the Territories. She says it’s a matter of staff and more involvement from the communities themselves. Professionally, Lynette brings a broad view of the world and her own special spark to all her activities.
After only three years in the North, Lynette says her attitudes are changing. At first, she “tried everything” because it was new and exciting, but gradually the natural rhythms took over. “I can see how one can get hooked on the North,” she grins.
Her fiance, Bruce Finlayson, shares her interest in the absurd and is also a great performer. During Expo he entertained waiting crowds outside the NWT pavilion. He is often seen on the stage at the Northern Arts and Cultural Centre amusing both adults and children.
Both Lynette and Bruce have made a valuable contribution to the theatre arts scene in Yellowknife.
When we asked her what it’s like to belly dance for people she’ll be discussing job tactics with the next day, she says she sees her dance as a different aspect of herself. “It is performance oriented, just as someone else may play hockey or sing,” she explains, “and dance is a nice way of relating to people.” When she did combine the two on the occasion of the farewell party for the director of the museum, the entire staff was thrilled.
New exhibitions are an ongoing challenge for Lynette at the museum. She’s taking a few weeks off this summer to get married. And there’s another dance performance coming up at Vancouver’s Sea Festival. There’s even the prospect of forming a dance group in Yellowknife. . .
You can be sure that there will be a spark of creativity in everything Lynette tackles.