In Performance

Earthfire dance company

Queen of Wands

 

Excerpt from MIRAJ at Victoria’s 2003 Fringe Festival, a full-length dance theatre production created and performed with Earthfire Dance Collective.

In this segment, the Queen of Wands (Lynette) loses her crown and other trappings of power to her cat (Taissia), and discovers an inner strength.

Interview with Lynette Harper

Sahda,  June 2007 By NILA 

What attracted you to bellydance, and made you stick to it?

Dance is life! Returning home from a Middle East journey in 1976, I discovered the bellydance craze had hit Vancouver – and knew I’d become part of it. Sometimes I wonder if I would have stuck to Middle Eastern forms if I wasn’t Lebanese, since their stylistic conventions often feel like constraints. But there’s an enormous power in the traditional forms, and they can lead us to diverse avenues of expression and experimentation. I find new stuff emerging from the Middle Eastern/European music scene is terrifically inspiring!

Do you have a favorite style/styles to dance?

Yes, many! I’m still swept away when dancing with Turkish Roman (gypsy) music, inspired by its virtuosity, free and spontaneous improvisation, rich melodies and that romantic, emotional sensibility. These are qualities I value in dance! I enjoy improvising in Turkish styles, but I also revel in distinctive traditional forms: the sparkle of Ghawazee shimmies, the ‘mathematical’ precision of raqs sharqi, the intensity of zar ritual movement. Right now I’m developing a Saidi dance ‘persona’ – going beyond my current understanding of the earthy, flirtatious and sensuous movements of the Saidi, to acknowledge my aging body and incorporate some of that wisdom I’m supposed to be gaining!

How did Earthfire come about?

Serendipity! A convergence of women with fabulous dance talents and stage presence, in a small B.C. town. Swimming after rehearsals, striving for shared goals, respecting each others’ abilities and artistic visions. It all came together when Signy Cohen, of Tofino, asked me if I knew some dancers who could put together a show for their summer festival. Six weeks of intensive rehearsal later, an ensemble was born! The name came later. Though we now live in different cities and countries, we still dance together any chance we get!

Excercise form you recommend to keep in shape for the dance.

Dance warm-ups, strengthening and stretching exercises from a range of dance forms are useful! I try to keep up with exercises developed by contemporary dancers in particular, since they emphasize incredible strength and flexibility. There are so many options to explore – right now, when my research work keeps me sitting at a computer most of the time, I’m finding the intensity of Pilates Reformer work provides a nice balance with Middle Eastern dance.

Who is your favourite all around dancer?

Every dancer that is caught up in the joy of the dance, who is able to lose herself in movement and music.

Recommended reading

Books I find myself returning to: Nine Parts of Desire by Geraldine Brooks (readable insights into the complexities of women in Islam); Serpent of the Nile by Wendy Buonaventura (solid historical background of the dance, with great pictures); Skinny Legs and All by Tom Robbins (catches the essence of the dance – and it’s a great read!); and The Creative Habit: Learn it and use it for life by Twyla Tharp (inspiration from one of the great contemporary choreographers of our time) For a nice light read, Keti Sharif’s Bellydance book is terrific; and on the other end of the scale, Dancing fear and desire by Stavros Karayanni provides a sharp postcolonial analysis of dance and identities.

What are your plans for this year/what should we look out for?

So many plans! The highlight of my dance year is the Island Dance Retreat in August, spending 5 days dancing with women from all around B.C., eating Middle Eastern food, working and laughing a lot. This year Bronwyn and I have developed ideas about symbolism to integrate in our team teaching. I also plan to finish my doctorate this fall, so that I will have more time to spend teaching, creating & performing dance – and to visit former Earthfire dancer Ferda at her home in Turkey!

 

Miraj was a sensory treat

 

16 April 2003  Daily News, Nanaimo  –  Review by Lynn Welburn 

Miraj (an Arabic word meaning ascent, the journey upwards) was the perfect title for the April 11 performance by Earthfire dance at the Malaspina University College theatre. 

But mirage, commonly used to describe something you think is real and which then vanishes, leaving you doubting your senses, would also have been appropriate because this performance was magical, mystical and, as each piece, ended, you were left wondering whether you had really seen it at all. Earthfire is one of the province’s top dance troupes, and are almost unique in the way they blend various forms of Middle Eastern, Gypsy, North African and other folk styles of dance. And their show, Miraj: Beyond Belly Dance, was an amazing showcase of not only their considerable dance talents, but also of their ability to put together a visual and auditory treat with costumes and settings that added to the sense of magic. With fabulous creatures of myth, whirling swords and costumes that shimmered like liquid jewels, Miraj was a sensory treat. Earthfire (Ferda Bayazit, Lynette Harper, Faith Lafave, Leah, Yvonne Olson and Taissia Sinclair) along with actor Pat Donaldson as the crone/fortune teller, guest dancers (Kelly Rollick, Sheila Bowman, Taiya Curie, Reziah, Shamani and Kirsten Stallman) and guest drummers (Goldean Abbadon-Lowe and Fiona Stuart) took their audience on an amazing journey to a Middle East much different from what we see on television each day, to a place where travelers from various places meet and mingle and dance, moving them and the watchers to a higher place, a place where we could all converge in a blend of lithe and sinuous dance, sensual music and lively humour.

(See excerpt “Queen of Wands” on Video page)

Shaking things up

 

14 November 1998  Harbour City Star, Nanaimo   By Goody Niosi

The Spice Girls may have Girl Power, but Nanaimo’s own Earthfire has Woman Power; a force that’s gathering enthusiastic fans wherever they perform.
Earthfire is a troupe of women who dance together with joy, energy and exuberance. And although they perform folk dances from all parts of Europe, they’re probably best known for their Turkish gypsy dances, popularly called belly dancing.
The dancers are Lynette Harper, Faith LaFave, Serap, Sahira and Taissia Sinclair. When they aren’t dancing they are students, a researcher, a computer nerd, a counselor and a teacher. Their backgrounds are Russian, Turkish, European and Middle Eastern. They share a passion for the dance.
Lynette Harper describes gypsy dancing as a wonderful, exuberant, free, dynamic dance style.
Harper has been teaching this energetic dance form for 20 years when the troupe came together.
“These people all either came to my class or were performing themselves. Every one of them has a dance background and most of them have already been professional dancers. So we’re just putting our energies together.”
Earthfire’s first performance as a troupe took place Nov.6 at the Wild Roots Café to a sold out house. To say they were greeted with enthusiasm would be an understatement. In the words of one spectator, “the audience whooped and hollered and stomped and whistled their approval.”
“We generate the energy among ourselves,” Harper says. “And then it comes back from the audience. So people come and say, ‘I’ve never got so much entertainment for $5 in my life.’ And women will say, ‘You know, we’re so serious about our bodies in North America, whereas you’re just celebrating and having fun.”
Woman Power – Earthfire revels in it. Their bodies would never make it to the cover of Vogue magazine – and they wouldn’t want them to. These are women’s bodies with delicious curves, rounded softness and grace.
Faith LaFave calls it being comfortable and grounded in their bodies. “Women in our society today are taught to feel either guilty about their bodies or to beat themselves into the media’s image of what a woman should be to be beautiful. I think what this troupe has given us is an ability to accept and love our bodies as they are.” 

The Earthfire women use their bodies in their art. Women’s bodies shake – it’s how they’re made, LaFave says. “And more than anything else the comments we get when we’re performing are, “Wow – you have so much feminine power’.”
The message behind Woman Power is that it’s OK to be a woman and to be sensuous. You don’t have to be thin to be beautiful. You can be rounded and womanly.
For Serap, dancing with Earthfire is a chance to celebrate, to play and to be creative with other women.
The Earthfire women range in age from 21 to 44. Dance is ageless, Lynette Harper says. A troupe of woman dancers from Denman Island range in age from eight to 78 years.
A woman recently approached Harper and asked her to teach her four-year-old daughter. No one is too young or too old to dance and play, Harper says.
The popularity of gypsy dancing is catching on like wildfire and Earthfire stands out among the troupes on the West Coast. The women have performed in Seattle, Vancouver, Courtenay, Tofino, Victoria and Quadra Island. And although all of them have different life goals, they all want to tour and perform in Europe and the Middle East.
“We’re constantly creating new dances and challenging ourselves,” Harper says. “There are people in Vancouver who are urging us to tour. Other professional dancers who have been to the Middle East all have very, very positive things to say about our troupe. I think it’s because we are bringing a lot of different dance experience to this.”
What makes Earthfire unique is that they are exploring this as an art, not just as a dance, Harper says.
For Earthfire the dance is World Music – and a joyful, abandoned expression of Woman Power.