2026 Winter/Spring Island Teacher List

Vancouver Island Dance Teachers 

Nanaimo

Lynette

www.lynetteharper.ca      dancetarab@gmail.com   250-797-7953   

LET’S DANCE    With apologies – My weekly multilevel classes are postponed until later in the year. All classes at VIBE Studios, Nanaimo 

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Pynksy Shell aka Tania Amaral

https://www.facebook.com/tania.amaral.1253/  pynksyshell@gmail.com 

Afro Fusion Sharqi Danceᵀᴹ

Fridays 6:30 Level 1, VIBE dance studio 

www.afro-fusionsharqidance.ca 

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Ramona 

ramona.passarello@gmail.com  250-616-3824  

Available for private individual and private group lessons.

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Taissia 

778-269-0922  Dance and Wellness classes   Available for privates and workshops.

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Other Island communities, listed alphabetically:

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Cortes Island

Meinsje      250-895-1052  

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Courtenay/Comox/Cumberland/Denman Island/Union Bay

Bridget Salas  bridgetsalasdance.com 

Beginner Indian fusion Tuesdays 5:45-7:00

Datura-style bellydance Tuesdays 7:15-8:30

Datura-style Zills Tuesdays 7:15-8:30

Magnoliamovementarts.com

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Cathy Stoyko   Call or message (250)218-0704

Available for private classes on Denman Island or in Cumberland 

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Emily Johnston – Forbidden Dance Company  

https://forbiddendancecompany.com  778-246-3639 

Belly dance levels 1-4 Thursdays 6:30-7:30pm Cloud 9 studio, Courtenay

“So you think you can belly dance?” Levels 5+  7:30-8:30pm

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Heather Hilberry 250-898-3123 (call or text) 

Teaching on Hornby,  Denman and in Union Bay  

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Linda Doerksen  halima.dancer@gmail.com    250-703-0494   

Contact regarding future classes in Courtenay. 

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Duncan/Cowichan Area

Darlene Gunkelmann gunkelmanndarlene@gmail.com

12 week Duncan series starting Feb.16

Beginners Foundations 5 -6:15 pm, Multi-Level 6:15-7:15 pm

Studio B (behind Spinning Ninny). 

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Karensa Camplair   saidisistersstudio.godaddysites.com  karensabellydance@gmail.com      250.715.7541   

Facebook.com/SaidiSisters      

FCBDStyle® (Improvised Style), Sword, Fusion, F.U.N. Belly Dance, and Musicality & Choreography

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Lara   https://www.facebook.com/lara.brunschot, or drop by her store Spinning Ninny at 310 Duncan St, Duncan

Classes for adults and children. 

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Parksville

Kim Hammett  raven_55@icloud.com   778-679-3082

Mix of Americanized and Fusion style bellydance at Bradley Community Centre.

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Qualicum Beach

Belly Laughs Navel Academy/Elaine De Rooy 

https://www.facebook.com/BellyLaughsNavelAcademy   bellylaughsnavelacademy@shaw.ca  250-752-3750 

Contemporary fusion in-studio classes Wednesdays, Thursdays, Sundays for Beginners, Intermediate and Advanced students.

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Saltspring Island

Sarah Allen  ssisarahlouise@gmail.com 

Alternating a 4 week series with Rasha Gad, Tuesdays 7 to 8:15pm Feb to Jun 2026 and Sept to Nov 2026 at the Ganges Yoga Studio  https://gangesyogastudio.com/

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Rasha Gad  rashargad@gmail.com

778 993 3406 https://www.artspired.ca/unveil-the-movement

Middle Eastern (belly) dance weekly classes. Egyptian style with cultural context, focus on the connection to the feminine and unique expression. Alternating a 4 week series with Sarah Allen, Tuesdays 7 to 8:15pm Feb to Jun 2026 and Sept to Nov 2026  at the Ganges Yoga Studio  https://gangesyogastudio.com/

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Victoria 

Bashirah Middle Eastern Dance Studio, Victoria    

https://raksbobbie.ca/classes/winter-2026-class-list.html raksbobbie@shaw.ca   

Extensive range of online and studio belly dance classes at Bashirah Middle Eastern Dance Studio, 137 Skinner St.Victoria

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Candace Aldridge   https://candacealdridge.com/dance-classes/

A fall schedule of live and online classes, featuring Belly dance for multiple levels, Yoga, and more. 

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Caro Aisha Carof   carisfranco@hotmail.com  250 884 0653

Private classes and group classes from beginners to advanced levels.

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Darlene Gunkelmann  gunkelmanndarlene@gmail.com

Victoria Classes: 12 Week Series  starting Feb.17

Beginners 5-6:15 pm, Intermediates Choreography 6:15-7:30 pm

Wild Roots Studio. 

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Mira –  Asmira Dance  

mirabellydancer@gmail.com

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Negma  

negmadance@gmail.com   https://www.negmadance.com 

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Taiya Curle 

Fusion Bellydance classes Monday evenings 6:00pm-7:45pm

At the Victoria Truth Centre

For details taiyacurle@gmail.com   250-361-5122 

Workshop Resources: Ghawazee & Turkish Oryantal Dance

Leah and Lynette perform at the International Belly Dance Conference of Canada, Toronto

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GHAWAZEE  RESOURCES

Terrific dance scenes and interviews can be viewed in this 1981 video “The Romany Trail: Gypsies of Africa” – Please note, the narration is dated and sometimes simply wrong (particularly about the Zar). The Banat Maazin dance at 11.52, and another Ghawazee troupe at 21.40.

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Glimpses of “Ghawazee” costume history

Mid 1800s:

1890s:

1920s:

1960s Banat Maazin:

1960s Khairiya of the Banat Maazin

Recent image of Khairiya of the Banat Maazin 

This excerpt is from a 2017 wedding party featuring Khairiya, of the Banat Maazin family. She is the last one of their famous dance troupe who continues to perform. https://www.youtube.com/watch?v=_RsNjyOYVXA

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You can find lot of information about the Banat Maazin and Ghawazee online eg. This wonderful first-person account of meeting Ghawazi in Egypt, with historical photographs and references. The six part article was written over several decades 1970s to 1990s by Edwina Nearing. The link below takes you to Part 1, with links to the other sections at the end, thanks to the dance magazine “Gilded Serpent”.http://www.gildedserpent.com/articles25/edwinaghawazich1.htm

Another inspiring article reviews 19th century historical travel writing: https://www.gildedserpent.com/cms/2012/04/16/when-victoria-was-queen-and-the-ghawazi-ruled/

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If you’d like to see more video, costuming, etc. about Ghawazi, check out this (and other) Youtube playlists:

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TURKISH ORYANTAL RESOURCES

Here are some video examples of Turkish Oryantal.  You can find many more by searching Youtube on an artist’s name or the dance form. (I particularly recommend everything featuring dancers Tulay Karaca or Nesrin Topkapi, even though the video quality is variable.)

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Vivacious Gigi Dilsah dances Turkish Oryantal in this video with lots of sparkle, drama, surprise, floorwork, and hair tosses! https://youtu.be/_QOgaJ1tQVc?si=dVOUNZUNVLEupMf0

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Here’s an Oryantal piece by Artemis Mourat, she starts with Turkish Roman and flows into an Oryantal performance. https://youtube.com/watch?v=1Lzf38FlQrU%3Fsi%3DW9FkgqIqYwfQiCZa

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Elegant, exquisite Tanyeli! https://www.youtube.com/watch?v=PLjQe3IwXkY

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MUSIC SUGGESTIONS

For the Turkish Oryantal choreography, we danced with “Söylim Mi” (Shall we tell?) by Asena.

There are a great many inspiring Turkish musicians and ensembles. Here are some that I used for warm-ups, stretching exercises, learning Oryantal vocabulary, and improvisation activities during my workshops: Burhan Ocal and the Istanbul Oriental Ensemble, John Bilezikjian, Ney Defteri, and the albums Second Nature by Minor Empire, and Gypsy Fire by Omar Faruk Tekbilek & Richard Hagopian.

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1001 Likes – December 2014

Lynette Harper updates her shopping list for Christmas gifts and ideas online. Reprinted with permission from the Middle Eastern Dance Association newsletter, Sahda December 2014.

December jpeg 2014

1001 Likes – November 2014

Lynette Harper considers the letters “F” and “G” in an alphabet of likes. Reprinted with permission from the Middle Eastern Dance Association newsletter, Sahda, November 2014.

November jpeg 1

November jpeg 2

1001 Likes – January 2014

Lynette Harper subscribes to a glossy magazine – for free.  Reprinted with permission from the Middle Eastern Dance Association newsletter, Sahda, January 2014.

January jpeg

Belly Dance Fact & Fiction: References

OPA Showcase Lecture/seminar, Victoria BC – presented by Lynette Harper Ph.D. November 2013

References – Books (*specific articles cited)

Belly dance around the world: New communities, performance and identity. 2013. Caitlin E. McDonald & Barbara Sellers-Young, editors. Jefferson NC: McFarland & Company.

* What is Baladi about al-Raqs al-Baladi? On the survival of belly dance in Egypt, Noha Roushdy.

* Performing identity/diasporic encounters, Lynette Harper

* 1970s Belly dance and the “How-To” phenomenon: Feminism, fitness and Orientalism, Virginia Keft-Kennedy

* Local performance/global connection: American Tribal Style and its imagined community, Teresa Cutler-Broyles

* Quintessentially English belly dance: In search of an English tradition, Siouxsie Cooper

Belly dance: Orientalism, transnationalism & harem fantasy. 2005. Anthony Shay & Barbara Sellers-Young, editors. Costa Mesa CA: Mazda Publishers.

* Introduction, Anthony Shay & Barbara Sellers-Young

* Belly dance: An urban folk genre, Najwa Adra

* Body, image, identity: American Tribal Belly dance, Barbara Sellers-Young

* Spirit from the body: Belly dance as a spiritual practice, Donnalee Dox

Belly Dance Reader. 2012. Editors of the Gilded Serpent. Fairfax CA: Gilded Serpent.

* Belly dance & contemporary dance studies, Barbara Sellers-Young

* Orientalism: Zumarrad’s completely non-scholarly quick and dirty guide, Brigid Kelly

* “Harem Girls,” dance in historical harems, early 1700’s – early 1900’s, the perpetual masquerade, Andrea Deagon

Dancing fear & desire: Race, sexuality, & imperial politics in Middle Eastern Dance. 2004. Stavros Stavrou Karayanni. Waterloo ON: Wilfred Laurier University Press.

Gypsies and the problem of identities. 2002. Adrian Marsh & Elin Strand, editors. Istanbul: Swedish Research Institute in Istanbul, Transactions vol.17.

* Introduction,  Elin Strand & Adrian Marsh

* On Romany origins and identity – questions for discussion, Ian Hancock

* The current situation of the Dom in Jordan, Allen Williams

Looking for Little Egypt. 1994. Donna Carlton. Bloomington IN: IDD Books

Orientalism (25th Anniversary Edition). 1994. Edward Said. New York: Vintage Books.

Scheherezade goes West: Different cultures, different harems. 2001. Fatema Mernissi. New York: Washington Square Press.

Serpent of the Nile: Women and dance in the Arab world.  1989. New York: Interlink books.

Visibly Muslim: Fashion, politics, faith. 2010. Emma Tarlo. Oxford: Berg.

We are the Romani people. 2002. Ian Hancock. Hatfield: University of Hertfordshire Press.

You asked Aunt Rocky: Answers & advice about Raqs Sharqi & Raqs Shaabi. 2011. Morocco (C.Varga Dinicu). Virginia Beach VA: RDI Publications.

References cited – journal & internet articles

Dancing around Orientalism. 2006. Donnalee Dox. TDR/The Drama Review, Vol.50 no.4 (Winter 2006), pp.52-71.

Feminism and belly dance. Andrea Deagon. http://people.uncw.edu/deagona/raqs/feminism.htm (downloaded 18 Nov.2013)

In search of the origins of the dance. Andrea Deagon. http://people.uncw.edu/deagona/raqs/origins.htm (downloaded 18 Nov.2013)

Naked belly dance in Egypt? Part 1: Are they really belly dancing? 2009. Andrea Deagon. The Gilded Serpent, http://www.gildedserpent.com/cms/2009/10/19/deagonnakedbdpart1/ (downloaded 18 Nov.2013)

Oriental dance: Myth and reality, the harem slaves. 2002.  Jalilah Lorraine Chamas. The Gilded Serpent, http://www.gildedserpent.com/articles20/jalilahharamslaves.htm (downloaded 18 Nov.2013)

 

More books for dancers

Four essentials for a dancer’s bookshelf, published in the last two years:  Belly dance around the world: New communities, performance and identityThe belly dance readerGlobal moves – and You asked Aunt Rocky: Answers & advice about Raqs Sharqi & Raqs Shaabi.  Each book offers powerful ideas, analysis, and inspirations – and they’re available through Amazon!  I plan to update this post with a review of each book in the next few months!   Lynette, October 2013

Belly dance around the worldBelly dance around the world: New communities, performance and identity

Edited by Caitlin E. McDonald & Barbara Sellers-Young. Here’s the blurb from the back cover:

Dancer/scholars from around the world have contributed essays on belly dance to this book. They all carefully consider the transformation of an improvised folk form from North Africa and the Middle East into a popular global dance practice. The essays explore the differences between the solo improvisational forms of North Africa and the Middle East, often referred to as raqs sharki, which are part of family celebrations, and the numerous globalized versions of this dance form, belly dance, derived from the movement vocabulary of North Africa and the Middle East but with a variety of performance styles distinct from its site of origin. Local versions of belly dance have grown and changed along with the role that dance plays in the community. The global evolution of belly dance is an inspiring example of the interplay of imagination, the internet and the social forces of local communities.

Yes, that’s me and Rahma on the cover!  I have contributed a chapter  “Performing identity/Diasporic encounters”, based on interviews with Arab women dancers.

Belly dance reader

 

 

An outstanding anthology of articles put together by Gilded Serpent, under the leadership of editor Lynette Harris.

 

 

Aunt Rocky

 

Astonishing – Morocco has assembled a lifetime of philosophy, research, ideas, and advice about dance inside the covers of this book!

 

 

 

global moves

 

I’m looking forward to reading this book by Caitlin McDonald, ” a study of how dancers throughout the world use Egypt as a reference point for situating themselves within the global belly dance community and how Egypt gets romanticized and fantasized in global narratives about belly dance.”

Turkish Roman music/video

Music from my past workshops

All cd’s listed here are available on Amazon.com, some through Chapters Indigo, and one from iTunes.  All of them are terrific!

Performed by Turkish Roman (gypsy) musicians:

Selim Sesler  – Road to Kesan: Turkish ROM & Regional Music Thrace       track: Tulum 5:01

Selim Sesler and Brenda MacCrimmon – Karsılama    tracks: Daracik Sokaklar 5:29 and  Karcigar Köçekçe 1:55

Ahmet Kusgoz Ve Arkadaslari  – Gypsies of Turkey   – also available through iTunes –  track: Tulum Roman Havasi 3:06

Mustafa Kandirali –  Caz Roman   track: Mastika 7:19

Popular Turkish Roman tunes performed by non-Romani Turkish or Turkish-Canadian musicians:

Minor Empire  –  Second Nature    track: Yuksek Yuksek Tepeler 4:42  ( Leah, Kalina, and I performed to this track in Victoria’s Bellydance Showcase Hafla)

Candan Erçetin – Aman Doktor    track: Cadirimin Üstüne/Sürüverin Cezveler Kaynasin 4:23  (I didn’t play this during the workshop, but it offers another dynamic interpretation of a popular song)

Kalina, Lynette, and Leah perform at OPA’s Bellydance Showcase, Victoria September 2012

Youtube videos of Turkish Roman dance worth watching

I wish I’d been at this village wedding in Turkey!  Fortunately, the video is very clear, aside from the extra digital effects:  http://www.youtube.com/watch?NR=1&v=4eIPhZ_g8Xk&feature=endscreen

My current favourite Roman dancer. I’m inspired by her expressive face and gestures, and the underlying structure of her performance. It looks like the same wedding and videographer as above:  http://www.youtube.com/watch?feature=endscreen&NR=1&v=wCTiViIr1xg

A very different venue, two dancers, two distinct personal styles:http://www.youtube.com/watch?v=7sXnk3ATd9g&feature=related

A dynamic male dancer, presenting Roman dance at a Hidrellez festival in Turkey – a virtuosic solo turns into a delightful duet!  http://www.youtube.com/watch?v=lLPtt2KsOT4 

Brief clips of social dancing at Hidrellez celebrations around Turkey.  http://www.youtube.com/watch?v=hn909jWv0k4

Global dance connections

Canada

www.hadia.com  Hadia, Canada  A performer, master instructor and choreographer, Hadia has achieved recognition and renown among her peers around the world.

Om Laila  Roula Said, Toronto ON   Roula is an amazing multi-faceted artist who has dedicated her talents to Middle Eastern music and dance. One of Canada’s leading lights in the world of bellydance, Roula is the director of Om Laila Bellydance, the producer of FunkaBelly – Toronto’s premier global Grooves Dance Party and Bellydance Cabaret

U.S.

www.shira.netThe Art of Middle Eastern Dance (by Shira)  The most popular North American bellydance resource and networking website.

Tamalyn Dallal – U.S. Internationally acclaimed Middle Eastern dancer, workshop instructor, public speaker.

www.jawaahir.org/Cassandra and the Jawaahir Dance Company, USA  Performing and teaching traditional and contemporary Middle Eastern Dance

Around the world

www.chryssanthi.com/en/Chryssanthi Sahar, Greece/Germany Greek belly dancer and dancing teacher in Heidelberg, Germany

Belly Dancing the World! Promoting belly dance around the world.

www.cid-portal.org/International Dance Council website and directory

www.preranadeshpande.com/Prerana Deshpande, India  “…ability to bring out the essence of the compositions – traditional in Sanskrit to the modern, rhythmically intricate, is the hallmark of her uniqueness – a ‘Complete’ Kathak dancer.”

Turkish music for dancers

Gypsies of Turkey with Ahmet Kusgoz Ve Arkadaslari

Karsilema until you drop! This album is chock full of 9/8 rhythms played at different tempos (mostly fast), alternating with ciftitelli and other regional instrumentals. I regularly recommend this energetic and passionate album for dancers who want “real Turkish Rom” music, as it is readily available from online vendors in mp3 or album format.

 

 

Istanbul Oriental Ensemble

I love the amazing theme albums created by these virtuoso Turkish musicians, and they can be purchased or downloaded online from several websites.  My two favourite albums are their latest, Grand Bazaar (pictured here) and Sultan’s Secret Door. Gipsy Rum also has some wonderful tracks, but I’m ambivalent about Caravanserai (which offers Turkish interpretations of Egyptian and other Middle Eastern music).  There’s a Wikipedia article about the Ensemble’s leader, Burhan Öçal – and if you’ll enjoy innovative music blending electronics, jazz, and Turkish traditions, try his album with the Trakya All-Stars!

 

 

Any album by Mustafa Kandirali

Kandirali is a legendary Turkish Rom clarinetist, and I find it impossible not to be swept away by any of his taksim pieces. I’ve  just ordered his latest CD, with remastered tracks to celebrate his 75th birthday. Here’s an excerpt from the rootsworld.com website:

Kandirali’s Gypsy background lends him an immediate global outlook, and his undeniable skill on the instrument gives him the tool he needs to execute it. But he is not limited to any one genre. He has clearly absorbed a lifetime of jazz, Turkish and western popular music as well as the myriad styles of traditional folk music of Turkey, and he has developed an improvisational bent that is on par with any of the great American jazz men, with flourishes and attacks that would rival Miles Davis’ or John Coltrane’s adventures in sonic experimentation…Which is not to say he mimics any of his influences. The end result of this international background is a decidedly unique Turkish music, whether it is a traditional taksim, a çiftetelli (belly dance), a Gypsy song or a soaring original composition/improvisation.

How to make your husband a Sultan  This quote from cdroots.com says it well:  Yes, in spite of the horrendous cover and the dreadful title, herein lies some of the real deal, brilliantly performed ‘belly-dance’ music from the 1960s featuring some of the era’s most respected performers including Mustafa Kandirali, clarinet, and Ahmet Yatman, kanun. In the guise of that swing-era staple, the art of domestic seduction, and produced by and featuring the famous Turkish dancer Özel Türkbas (first brought to America to dance by Italian movie director Franco Zeferelli), this album originally sold 150,000 copies in the US (and a million in Turkey), spawning the craze for bellydance and Turkish music that continues today. If this had been released by anyone other than Traditional Crossroads, I would have ignored it.

 

 

Check out the Traditional Crossroads website for a wide selection of Turkish music, including more dance music for Özel Türkbas, Rom music by Selim Sesler, Kandirali and others, and extensive listings of contemporary and re-mastered historical recordings from Turkey and elsewhere.

Karsilama

This lively album features Selim Sesler (clarinet) and vocalist Brenda MacCrimmon, who originally hails from Toronto!  The extensive liner notes provide an informative introduction to Karsilama and other Turkish music in 9/8 rhythm.  The songs and instrumental tracks are diverse and very dance-able!

 

Arab music understanding

Egyptian music appreciation and practice for bellydancers

by George Dimitri Sawa

A must-have for dancers, teachers, and students who wish to develop their understanding of Egyptian music!   The quality of the package is awesome – exceeding my already high expectations of  creator George Sawa, an Egyptian born historian, musicologist, qanun virtuoso, a true master of Arabic Music. He has taught generations of dancers and musicians, and we are so lucky that this gracious gentleman is sharing his knowledge in this new format.

(package includes a comprehensive 4-chapter manual: 2 CDs, 65 tracks, 21 rhythms and cymbal patterns; 8 maqams; photographs and description of 32 musical instruments; 6 musical forms.)

Order this and other CD’s direct from George Sawa’s website.

Ethnographies worth reading

Guests of the Sheik: Ethnography of an Iraqi village

Elizabeth Warnock Fernea, Random House, re-issue 1995

Though Elizabeth Warnock Fernea’s book was first published in 1969,  her writing provides useful insights into daily life, for Arab women in  a particular place (rural Iraq) and time period. “A delightful, well-written, and vastly informative ethnographic study, this is an account of Fernea’s two-year stay in a tiny rural village in Iraq, where she assumed the dress and sheltered life of a harem woman.” (Random House website)

Reading “Guests of the Sheik” left me in tears. My father was born and raised in southern Iraq right around the time that Elizabeth Warnock Fernea moves there. I grew up on stories from that period and I appreciated getting the women’s story from this book, it felt like a complement of the stories I heard in childhood. As I read “Guests of the Sheik” I frequently wondered how I would react if I was in Elizabeth Warnock Fernea shoes. Would I feel at home in that environment? Would I feel as a tourist? I don’t know, but I do hope that one day when I do visit Iraq that I will feel as much love for the land and its people as Elizabeth Warnock Fernea did. (Amazon website review)

Books for dancers

READ THIS BOOK!!!!

Belly dance: Orientalism Transnationalism and Harem Fantasy

edited by Anthony Shay and Barbara Sellers-Young

 

For over a century, solo improvised dance, especially belly dance, has had enormous popularity, and by the 1970s and 1980s in the wake of the feminist movement, over a million women in the United States, and many more thousands in Western Europe became devotees of this choreographic form. This volume traces several strands of this phenomenon. Anthony Shay and Barbara Sellers-Young provide an overview of solo improvised dance in the Middle East and in the West. 

Several essays address the dance tradition in the Middle East: Najwa Adra describes and analyzes the performance of solo improvised dance in domestic circles in the Arab world, Anthony Shay analyzes the issue of how Islam and individuals among the Moslem clergy perceive and react to dance, Stavros Stavrou deconstructs the famous encounter between Gustave Flaubert and the Egyptian dancer Kuchek Hanum in terms of colonialism, Roberta Dougherty analyzes the popular images of the belly dancer in the Egyptian cinema, Shay addresses the question of male dancers and their performances, and Linda Swanson adds a whimsical interpretation of the famous twentieth century Egyptian belly dancer Tahia Carioca. 

The dance was frequently seen in the West by millions of visitors to world fairs and exhibitions that were popular in the 19th century and Sol Bloom, the entrepreneur of the Chicago World Fair of 1893 coined the term “belly dance.” From that period, belly dance became a popular entertainment in the United States. American women found the dance to be a liberating vehicle and a means of adopting new and exotic persona. They developed several new genres of the dance. Barbara Sellers-Young describes and analyzes tribal belly dance, a genre that was invented in San Francisco, Anne Rasmussen provides an overview of the music used in Arab nightclubs in the United States and a description of the musicians and the club milieu, Donnalee Dox analyzes the spiritual belly dance movement, Andrea Deagon addresses the enduring trope of oriental dance: Salome’s Dance of the Seven Veils through performances both from the turn of the century and contemporary versions, Nancy Lee Ruyter gives a historical perspective of La Meri’s, one of the earlier interpreters of belly dance, Jennifer Fisher looks at the orientalist implications of the Arabian dance from the Nutcracker, often inspired by oriental dancing and seen by millions of audience members across America. An epilogue by the editors provides an overview of the topic and integrates the scholarly material for the reader. [publisher’s notes)

Check out details and order a copy from Mazda Publishers.