Spring Workshop in Kelowna 2025


Notes on Lynette’s dance interests:

Lynette has studied Ghawazee dance since the 1980s with luminaries Aisha Ali, Jalilah, Khyriyya, and others, and through archival research. Her troupe Ghawazee choreographies have been staged in Vancouver theatres, Toronto (International Belly Dance Conference of Canada), Seattle (Mediterranean Fantasy Festival), Courtenay, Nanaimo, and many other BC venues. 
Lynette became entranced by Turkish Roman dance in the 1990s, and has developed a distinctive personal style for teaching and performing both Turkish Oryantal and Roman dance based on studies with Reyhan Tuzsuz, Gigi Dilsah, Artemis Mourat, Ferda Bayazit, Sema Yildiz, Ozgen, and others. 
In recent decades Lynette has led weekend dance intensives and 5 day retreats in spectacular locations eg. Dance Vallarta (Puerto Vallarta), DanceAway Mexico (La Manzanilla), Hollyhock Retreat Centre (Cortes Island), Oasis de la Dance – Studio Denise Enan (Quebec), Denman Island Dance Retreats, Smithers Dance Camp, and other BC locations (eg.Victoria, Tofino, Thetis Island, Quadra Island, Gabriola Island, Cumberland). She regularly presents classes and workshops on and around Vancouver Island.

ReOrient present Ghawazee dance at the Duncan Showroom, 2019

The dance in these videos is an interpretation of an historical style of dance and costume common in Egypt in the late 1800’s and into the 20th Century. Our choreography is based on historic photos and travellers’ writings about the Ghawazee, and our studies with Aisha Ali, Banat Mazin troupe members, and others.  The Ghawazee continue to perform today, though with different costumes! Many Ghawazee, and in particular those we studied for this piece, are members of Domari and Nawar tribes – that is, Middle Eastern branches related to the “Romani” (peoples who have asked to no longer be called “Gypsies”).  Ghawazee has been translated as “Invaders of the Heart” – but the word has some negative connotations, as it represents Egyptian women who dance to entertain. 

We are members of the B.C. dance collective “Re-Orient”, and we hope our performance, and these videos, will broaden your perspectives on Arab and Turkish arts and societies.  Videos are by Eric Boucher. 

In Performance

Earthfire dance company

Vancouver Island Bellydance Showcase

Saturday September 22, 2012 – Victoria-based OPA society celebrated the very best in our Island bellydance community!  Among the 6 mini-workshops, I taught a session on Turkish Roman dance.  I’ve listed some of my music resources and video inspirations in the Resources page “Turkish Roman workshop music and videos”

Workshop Descriptions:
10am -‘Layering Drills for Refined Technique’ with Candace Sanchez
Come on out and get your sweat on! Learn what muscles create what movement and how to implement different foot patterns with those movements. You will start the breakdown process of how to make multiple movements happen all at the same time.

11am -‘The Science of Shimmies’ with Pamela Ball
Technique to relax, ground and layer your shimmies while stationary or travelling for “shimmies that shine.”

12pm -‘Flamenco Fusion’ with Shari Nakagawa
This workshop will introduce flamenco arm and hand patterns, marking steps and skirt technique. Combinations will be taught to demonstrate how to layer this over bellydance hip movement. Be sure to bring a long skirt with you!

2pm -‘Kalbelia Sapera’ with Cathy Stoyko
Also known as Rajasthani ‘gypsy’ dance, this workshop will give you an introduction to this traditional folk dance from the Northern Indian state of Rajasthan.

3pm -‘Turkish Romani Style and Movement’ with Lynette Harper
Experience the vibrant, earthy Turkish style of Romani dance. Learn distinctive moves and phrasings that complement the sensuous and expressive qualities of Romani music – and may be blended with your own bellydance style.

4pm -‘Zills, Drills & Combinations’ with Bobbie
Since Egyptian style bellydance has increased in popularity over the American Cabaret style of the 1970s, playing finger cymbals has become somewhat of a lost art. At this workshop, you will learn some basic zill patterns beyond the “gallop,’ and coordinate those patterns with movement combinations.

Evening hafla featuring the workshop instructors and local dancers!
Doors at 7:30; Show at 8:00
Pay at the door:   $5 for OPA members; $10 for non-OPA members

Registration forms available at www.OPAsociety.com
Questions? Want to perform? Want to vend? Email info@OPAsociety.com

Global dance connections

Canada

www.hadia.com  Hadia, Canada  A performer, master instructor and choreographer, Hadia has achieved recognition and renown among her peers around the world.

Om Laila  Roula Said, Toronto ON   Roula is an amazing multi-faceted artist who has dedicated her talents to Middle Eastern music and dance. One of Canada’s leading lights in the world of bellydance, Roula is the director of Om Laila Bellydance, the producer of FunkaBelly – Toronto’s premier global Grooves Dance Party and Bellydance Cabaret

U.S.

www.shira.netThe Art of Middle Eastern Dance (by Shira)  The most popular North American bellydance resource and networking website.

Tamalyn Dallal – U.S. Internationally acclaimed Middle Eastern dancer, workshop instructor, public speaker.

www.jawaahir.org/Cassandra and the Jawaahir Dance Company, USA  Performing and teaching traditional and contemporary Middle Eastern Dance

Around the world

www.chryssanthi.com/en/Chryssanthi Sahar, Greece/Germany Greek belly dancer and dancing teacher in Heidelberg, Germany

Belly Dancing the World! Promoting belly dance around the world.

www.cid-portal.org/International Dance Council website and directory

www.preranadeshpande.com/Prerana Deshpande, India  “…ability to bring out the essence of the compositions – traditional in Sanskrit to the modern, rhythmically intricate, is the hallmark of her uniqueness – a ‘Complete’ Kathak dancer.”

Penceresi yola karsi

Her window faces the street”, presented in Belly for the Beast, Malaspina Theatre, Nanaimo BC.

This structured improvisation explores the public and private feelings of a Turkish girl, set to the Turkish Roman music of Karsilama (with Selim Sesler & Brenda MacCrimmon).

Red Apple

Excerpt from Red Apple, presented in Errington, BC.

This choreography was inspired by the resilience of Afghani village women.  The structured improvisation blends eastern and western traditions and contemporary dance styles to music by Ashkabad and Yuldiz Usmanova.

 

Smokin’

“Light a cigarette and to hell with the world!”

This choreography blends Roma dance improvisation with western contemporary dance and “gypsy” stereotypes. Inspired by the 3 Mustaphas 3 version of Anapse To Cigaro.

 

Nanaimo dancers & teachers


Lynette  250-753-1659  laahper@gmail.com

Genya  250-739-0589  genyasdancing@gmail.com

Ramona  250-616-3824  Ramona@bellydancer.ca

Giselle Jacob – Drum & percussion classes available  – see her Facebook page

 

Crimson Coast Dance Society  Artistic Director Holly Bright, Nanaimo, BC – Develops and supports contemporary dance creations, productions, performances and educational opportunities at both grass roots and professional levels in Central Vancouver Island.

Dance is in their blood

 

Gilded Serpent June 2007         

by Kevin Potvin

A reluctant visitor to a multicultural arts show comes away with a new appreciation for how art entwines with ordinary life for ordinary people. . . . (click here to read article)

Excerpt: That doesn’t mean I don’t understand dance at all – as a form of art done by artists, or as an activity people do at clubs.  Haddad presented a different thing I had previously bean unaware of, and it bridged the two forms – art and popular pastime – to form a third distinct thing: popular art, or folk art, in dance form.  This was no contrived presentation of foreign exoticism to satisfy some state-granting agency looking to spice up multicultural awareness week. This was a moving and utterly personal expression given in so highly evolved a form, it appeared to be fully grounded in the Earth.

It was Lynette Harper’s talk and performance that, though it came first, served to wrap up the whole of the noon hour’s entertainment–which was fitting since she organized this show. Harper spoke in general terms of how belly dancers share their dances with each other, and how they get caught up in each other’s pleasure of dancing. “At any gathering,” she emphasized, “there was always dance; it was loved and honoured.” . . .
(previously posted in The Republic of East Vancouver, April 2004)

(See short clip “Arab Women Arab Dance” in Video section)

 

 

Queen of Wands

 

Excerpt from MIRAJ at Victoria’s 2003 Fringe Festival, a full-length dance theatre production created and performed with Earthfire Dance Collective.

In this segment, the Queen of Wands (Lynette) loses her crown and other trappings of power to her cat (Taissia), and discovers an inner strength.

Arab Women Arab Dance

Arab Women Arab Dance

Opening of Arab Women Arab Dance, presenting life histories with dance. Featuring Lynette, Rahma Haddad, Salma Ferchichi, Rabab Ward, and Emily Basha. Produced by Vancouver’s Dance Centre.

Excerpt from a Vancouver Dance Centre production, interweaving life history narratives with demonstrations by five Arab women.

Ladysmith & Cowichan area dancers & teachers

Ladysmith

Debra Shields (formerly Pinchbeck) – full weekly schedule at www.saidisisters.ca

Cowichan Area

Yesca “Elegant Power” Belly dance classes, Lake Cowichan 250 749 7759

Lynene Allen    250-746-1077 email miragedanse@shaw.ca  website

Shakti Bellydance   shakti.bdance@gmail.com  Bellydance for fun and fitness, plus new classes for youngsters and teens. Register with Island Savings Centre, 250.748.7529

Damask Rose Revue 2

A fantastic show featuring guest artist Tamlyn Dallal! I am thrilled to be invited to perform with some of Vancouver’s finest: Al a Nar, Aviva & Megan, Carla, Laura, Leona, Lisa, Lynette (that’s me), Maki & students, Michelle, nina d., Tamara, Tha Fae, The Phoenix Dancers, and the magical musings of Rakkab

Saturday July 7, 2012

St. James Hall, 3214 West 10th Avenue, Vancouver

Tickets info@nina-d.com or call 604-240-7387.

Interview with Lynette Harper

Sahda,  June 2007 By NILA 

What attracted you to bellydance, and made you stick to it?

Dance is life! Returning home from a Middle East journey in 1976, I discovered the bellydance craze had hit Vancouver – and knew I’d become part of it. Sometimes I wonder if I would have stuck to Middle Eastern forms if I wasn’t Lebanese, since their stylistic conventions often feel like constraints. But there’s an enormous power in the traditional forms, and they can lead us to diverse avenues of expression and experimentation. I find new stuff emerging from the Middle Eastern/European music scene is terrifically inspiring!

Do you have a favorite style/styles to dance?

Yes, many! I’m still swept away when dancing with Turkish Roman (gypsy) music, inspired by its virtuosity, free and spontaneous improvisation, rich melodies and that romantic, emotional sensibility. These are qualities I value in dance! I enjoy improvising in Turkish styles, but I also revel in distinctive traditional forms: the sparkle of Ghawazee shimmies, the ‘mathematical’ precision of raqs sharqi, the intensity of zar ritual movement. Right now I’m developing a Saidi dance ‘persona’ – going beyond my current understanding of the earthy, flirtatious and sensuous movements of the Saidi, to acknowledge my aging body and incorporate some of that wisdom I’m supposed to be gaining!

How did Earthfire come about?

Serendipity! A convergence of women with fabulous dance talents and stage presence, in a small B.C. town. Swimming after rehearsals, striving for shared goals, respecting each others’ abilities and artistic visions. It all came together when Signy Cohen, of Tofino, asked me if I knew some dancers who could put together a show for their summer festival. Six weeks of intensive rehearsal later, an ensemble was born! The name came later. Though we now live in different cities and countries, we still dance together any chance we get!

Excercise form you recommend to keep in shape for the dance.

Dance warm-ups, strengthening and stretching exercises from a range of dance forms are useful! I try to keep up with exercises developed by contemporary dancers in particular, since they emphasize incredible strength and flexibility. There are so many options to explore – right now, when my research work keeps me sitting at a computer most of the time, I’m finding the intensity of Pilates Reformer work provides a nice balance with Middle Eastern dance.

Who is your favourite all around dancer?

Every dancer that is caught up in the joy of the dance, who is able to lose herself in movement and music.

Recommended reading

Books I find myself returning to: Nine Parts of Desire by Geraldine Brooks (readable insights into the complexities of women in Islam); Serpent of the Nile by Wendy Buonaventura (solid historical background of the dance, with great pictures); Skinny Legs and All by Tom Robbins (catches the essence of the dance – and it’s a great read!); and The Creative Habit: Learn it and use it for life by Twyla Tharp (inspiration from one of the great contemporary choreographers of our time) For a nice light read, Keti Sharif’s Bellydance book is terrific; and on the other end of the scale, Dancing fear and desire by Stavros Karayanni provides a sharp postcolonial analysis of dance and identities.

What are your plans for this year/what should we look out for?

So many plans! The highlight of my dance year is the Island Dance Retreat in August, spending 5 days dancing with women from all around B.C., eating Middle Eastern food, working and laughing a lot. This year Bronwyn and I have developed ideas about symbolism to integrate in our team teaching. I also plan to finish my doctorate this fall, so that I will have more time to spend teaching, creating & performing dance – and to visit former Earthfire dancer Ferda at her home in Turkey!

 

Belly for the Beast 2011

October 1, 2011 – Bellydancers take over the stage at Nanaimo’s Port Theatre!  See fine local bellydance in a proper theatrical venue – while supporting the SPCA. A dynamite show showcasing traditional, folkloric to modern fusions, with touches of flamenco, Romany, contemporary dance – and live music adds depth to several pieces. Applause to Pacifica for creating a show worth mounting at the Port, and inviting many of us to share the stage. This is their 6th benefit for the Nanaimo & District BC SPCA; they’ve raised over $12,000 to date, gaining community support and critical acclaim every year. Past audience members say, “It’s BETTER than the Belly Dance Super Stars!” 

Tickets $25(concession prices available) at the Port Theatre

(I look forward to joining Pacifica in two pieces: the Pacifica choreography “Raks Africa”, and my own new choreography “Veil 3” performed with extraordinary dancers Taissia and Ruth Day,

Silk Road comes to Errington

I look forward to dancing with Silk Road and other Island bellydancers – SATURDAY APRIL 14 – with Cathy  StoyStoyko, Taissia, Taiya, Kalina, and Kirsten! 

Silk Road and Friends at the Errington Hall

Music and Dance from Spain, the Middle East, China and Beyond

April 14, 2011     8pm

Tickets $20      Under 12 – $5 at the door      Under 5 – FREE  Errington Store, Cranky Dog (Parksville), Heaven on Earth (Qualicum Beach)

For the past two decades, Quebecois multi instrumentalist Andre Thibault and Chinese pipa wizard Qiu Xia He (pronounced choo-sha her) have entertained audiences with music that spans the world. Their latest venture into Flamenco music and dance is an indication of their adventurous spirit, and adds to their copious repertoire of songs from China, the Middle East, Brazil, and Quebec.

Andre’s main instruments are a virtuoso accoustic guitar and Middle Eastern oud, a guitar-like lute that was the precursor of the Chinese pipa. Over the hundreds of years that travellers and merchants traversed the Silk Road, the oud arrived in China and underwent modifications that made it compatable with Chinese music. The name “pipa” describes the up and down hand movement, or strumming, technique used to play the instrument. In Qiu Xia’s deft hands, the pipa is adaptable to many different styles of folk music from China to Spain to Ireland to Canada.

In their concerts, Qiu Xia and Andre always develop a warm raport with audiences, engaging them in the music and encouraging their participation. The duo’s delight in performing is matched by their generosity – for the Errington Hall concert they welcome local musicias and dancers into their show. Erringtonian Robin Shackleton will accompany them on percussion and Nanaimo’s Lynette Harper and the Island Belly Dancers will enhance the evening with movement and spectacular costumes.

This world music extravaganza  with Silk Road and Friends promises to entertain, delight, surprise, and dazzle.

Miraj was a sensory treat

 

16 April 2003  Daily News, Nanaimo  –  Review by Lynn Welburn 

Miraj (an Arabic word meaning ascent, the journey upwards) was the perfect title for the April 11 performance by Earthfire dance at the Malaspina University College theatre. 

But mirage, commonly used to describe something you think is real and which then vanishes, leaving you doubting your senses, would also have been appropriate because this performance was magical, mystical and, as each piece, ended, you were left wondering whether you had really seen it at all. Earthfire is one of the province’s top dance troupes, and are almost unique in the way they blend various forms of Middle Eastern, Gypsy, North African and other folk styles of dance. And their show, Miraj: Beyond Belly Dance, was an amazing showcase of not only their considerable dance talents, but also of their ability to put together a visual and auditory treat with costumes and settings that added to the sense of magic. With fabulous creatures of myth, whirling swords and costumes that shimmered like liquid jewels, Miraj was a sensory treat. Earthfire (Ferda Bayazit, Lynette Harper, Faith Lafave, Leah, Yvonne Olson and Taissia Sinclair) along with actor Pat Donaldson as the crone/fortune teller, guest dancers (Kelly Rollick, Sheila Bowman, Taiya Curie, Reziah, Shamani and Kirsten Stallman) and guest drummers (Goldean Abbadon-Lowe and Fiona Stuart) took their audience on an amazing journey to a Middle East much different from what we see on television each day, to a place where travelers from various places meet and mingle and dance, moving them and the watchers to a higher place, a place where we could all converge in a blend of lithe and sinuous dance, sensual music and lively humour.

(See excerpt “Queen of Wands” on Video page)

Shaking things up

 

14 November 1998  Harbour City Star, Nanaimo   By Goody Niosi

The Spice Girls may have Girl Power, but Nanaimo’s own Earthfire has Woman Power; a force that’s gathering enthusiastic fans wherever they perform.
Earthfire is a troupe of women who dance together with joy, energy and exuberance. And although they perform folk dances from all parts of Europe, they’re probably best known for their Turkish gypsy dances, popularly called belly dancing.
The dancers are Lynette Harper, Faith LaFave, Serap, Sahira and Taissia Sinclair. When they aren’t dancing they are students, a researcher, a computer nerd, a counselor and a teacher. Their backgrounds are Russian, Turkish, European and Middle Eastern. They share a passion for the dance.
Lynette Harper describes gypsy dancing as a wonderful, exuberant, free, dynamic dance style.
Harper has been teaching this energetic dance form for 20 years when the troupe came together.
“These people all either came to my class or were performing themselves. Every one of them has a dance background and most of them have already been professional dancers. So we’re just putting our energies together.”
Earthfire’s first performance as a troupe took place Nov.6 at the Wild Roots Café to a sold out house. To say they were greeted with enthusiasm would be an understatement. In the words of one spectator, “the audience whooped and hollered and stomped and whistled their approval.”
“We generate the energy among ourselves,” Harper says. “And then it comes back from the audience. So people come and say, ‘I’ve never got so much entertainment for $5 in my life.’ And women will say, ‘You know, we’re so serious about our bodies in North America, whereas you’re just celebrating and having fun.”
Woman Power – Earthfire revels in it. Their bodies would never make it to the cover of Vogue magazine – and they wouldn’t want them to. These are women’s bodies with delicious curves, rounded softness and grace.
Faith LaFave calls it being comfortable and grounded in their bodies. “Women in our society today are taught to feel either guilty about their bodies or to beat themselves into the media’s image of what a woman should be to be beautiful. I think what this troupe has given us is an ability to accept and love our bodies as they are.” 

The Earthfire women use their bodies in their art. Women’s bodies shake – it’s how they’re made, LaFave says. “And more than anything else the comments we get when we’re performing are, “Wow – you have so much feminine power’.”
The message behind Woman Power is that it’s OK to be a woman and to be sensuous. You don’t have to be thin to be beautiful. You can be rounded and womanly.
For Serap, dancing with Earthfire is a chance to celebrate, to play and to be creative with other women.
The Earthfire women range in age from 21 to 44. Dance is ageless, Lynette Harper says. A troupe of woman dancers from Denman Island range in age from eight to 78 years.
A woman recently approached Harper and asked her to teach her four-year-old daughter. No one is too young or too old to dance and play, Harper says.
The popularity of gypsy dancing is catching on like wildfire and Earthfire stands out among the troupes on the West Coast. The women have performed in Seattle, Vancouver, Courtenay, Tofino, Victoria and Quadra Island. And although all of them have different life goals, they all want to tour and perform in Europe and the Middle East.
“We’re constantly creating new dances and challenging ourselves,” Harper says. “There are people in Vancouver who are urging us to tour. Other professional dancers who have been to the Middle East all have very, very positive things to say about our troupe. I think it’s because we are bringing a lot of different dance experience to this.”
What makes Earthfire unique is that they are exploring this as an art, not just as a dance, Harper says.
For Earthfire the dance is World Music – and a joyful, abandoned expression of Woman Power.

Northern Spirit: Lynette Harper Curator (and Belly Dancer)

 

May/June 1988  Up Here Magazine    by Juliet Pin

Imagine the combo of belly dancing and museum work! Lynette Harper has found the link.
Born in Vancouver of Lebanese parents, belly dancing just seemed to come naturally. Her list of dance performances is impressive. From the Vancouver Sea Festival and Robson Square 

Plaza to many theatre performances, Lynette has twisted and swayed her way into the Middle Eastern Dance group of Vancouver.
When she moved north three years ago she continued performing, and has awed many a crowd at the Charity Ball, the Northern Arts and Cultural Centre and special performances in Yellowknife, Northwest Territories, ‘I’m a performer at heart, and dancing is a way of expressing my joy,” she says. “It runs in the family.”
Now curator of education and professional programs at the Prince of Wales Northern Heritage Centre in Yellowknife, she explains that the same creativity is useful in her work. As teacher and museum curator she believes she can help people find their own inner spark. Within the museum environment, Lynette says, people are inspired by seeing the results of other people’s creativity. She describes a museum as a “special place where people can develop understanding and respect for one another, through displays which show the different ways in which we see the world.”
Her vivaciousness, enthusiasm and zaniness is contagious, spreading joy and humor among her co-workers. “People sometimes don’t take me seriously,” admits Lynette, “but that’s changing, and I’m even called upon to head up international conferences and chair meetings.”
Her zaniness is a tool to help keep a perspective on what she is doing. “We take ourselves too seriously”, she says. Her humor has been known to ease tension at many a meeting.
Lynette has gained great respect in her field through her strong professional commitment. After just a short time in Yellowknife, she was thrown into the role of acting director of the Prince of Wales Northern Heritage Centre. Recalling the challenging seven month experience she praises the full support of her staff.
When a new director was named, she turned her energies to the Discovery Gallery which opened in June last year. A family area (where the signs read “please touch”) offers a wardrobe of costumes, rocks and bones to identify, a fur closet, and much more. Though she says she can be frustrated by the time it takes to develop exhibitions, she can see a slow and steady progress in the gallery. Lynette hopes to extend the opportunities for similar museum programs across the Territories. She says it’s a matter of staff and more involvement from the communities themselves. Professionally, Lynette brings a broad view of the world and her own special spark to all her activities.
After only three years in the North, Lynette says her attitudes are changing. At first, she “tried everything” because it was new and exciting, but gradually the natural rhythms took over. “I can see how one can get hooked on the North,” she grins.
Her fiance, Bruce Finlayson, shares her interest in the absurd and is also a great performer. During Expo he entertained waiting crowds outside the NWT pavilion. He is often seen on the stage at the Northern Arts and Cultural Centre amusing both adults and children.
Both Lynette and Bruce have made a valuable contribution to the theatre arts scene in Yellowknife.
When we asked her what it’s like to belly dance for people she’ll be discussing job tactics with the next day, she says she sees her dance as a different aspect of herself. “It is performance oriented, just as someone else may play hockey or sing,” she explains, “and dance is a nice way of relating to people.” When she did combine the two on the occasion of the farewell party for the director of the museum, the entire staff was thrilled.
New exhibitions are an ongoing challenge for Lynette at the museum. She’s taking a few weeks off this summer to get married. And there’s another dance performance coming up at Vancouver’s Sea Festival. There’s even the prospect of forming a dance group in Yellowknife. . .
You can be sure that there will be a spark of creativity in everything Lynette tackles.